ICYMI, Amos Lee and his band performed with the Utah Symphony last Saturday (May 10, 2025) at Abravanel Hall in Salt Lake City. In short, it was lovely. Itād be easier to say āno notes,ā but that would defeat the purpose of this review. Instead, Iāll say it was like hearing some of your favorite songs with a lush movie score along for the ride as added emphasis.
While it isnāt uncommon for some of the more easy-to-love voices and singers in our midst to have their songs rearranged for classically-trained musicians ā and itās practically a rite of passage for some ā it wasnāt just the ticket buyers who benefited; it was a home run for all involved. It was a way of giving the audience above and beyond what it could have ever expected. Leeās band was constantly thrilled by what the orchestra behind them did with their pieces, and it regularly showed in their expressions.
Lee paused frequently to share how thrilled he was to be the glue holding all the swirling pieces together. In the generous 20-song set that included songs like āStreet Corner Preacher,ā āKeep It Loose, Keep It Tight,ā āSweet Pea,ā and āArms of a Woman,ā Lee showed his impressive range throughout. He was a singular talent surrounded by rich talent (his band), which was backed by even more talent (Andrew Lipke was conducting the orchestra and, by the looks of it, having a lot of fun doing so). Maybe itāll never be repeated, and that would be a shame. But if there is another night like this one, even if itās a few years down the road, letās hope the sequel has as much magic as they created this time around.
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