If you’ve ever belted out a song in the shower like you were singing the national anthem at the Super Bowl—despite being unable to carry a tune—then Florence Foster Jenkins might just be your spirit animal. Stephen Temperley’s Souvenir is a laugh-out-loud, heartwarming, and downright bizarre journey into the world of Florence, a wealthy New York socialite with more passion for opera than actual talent. Her determined belief that she was a star soprano, even though she couldn’t hold a note, turned her into one of the biggest celebrities of the 1900s.
This story is narrated by her accompanist, Cosmé McMoon, Souvenir isn’t just a biographical play—it’s a reflection of those who have followed their passions despite what others think. McMoon acts as both guide and foil to Jenkins, offering biting commentary, reluctant admiration, and plenty of musical prowess as he recalls the years he spent helping her chase a dream as outsized as her personality. This relationship demonstrates the complexity of the situation the show surrounds.
This continues to build until the climactic moment when Jenkins, entirely unmoved by critics, performs at Carnegie Hall in 1944. The result? A performance is so hilariously off-key yet so earnestly heartfelt that it sold out instantly; Leaving audiences completely inspired or roaring with laughter.
What makes Souvenir truly sing—figuratively, of course—is its ability to make us cheer for Jenkins despite her lack of talent. Her charm lies in her sheer grit, the kind of unwavering confidence that turns a dreamer into a legend. While you may find yourself crying with laughter as Florence hits every wrong note imaginable, you might also find that her self-confidence is rather striking. After all, in a world full of critics, Souvenir reminds us that sometimes the most remarkable thing you can do is simply keep singing your song—even if the notes are uniquely your own.
Originally premiering in 2004, Souvenir dazzled audiences with its mix of humor, heart, and opera gone hilariously wrong. It hit Broadway in 2005, where Judy Kaye’s performance as Jenkins earned her a Tony nomination and cemented the play’s reputation as a quirky theatrical gem.
Whether you’re an opera aficionado or someone who only sings with the radio turned way up, Souvenir will strike a chord. It’s a reminder that sometimes life isn’t about hitting the right notes—it’s about making some noise and owning it. Come for the comedy, stay for the inspiration, and leave humming (and laughing) all the way home.
- WHAT: Pioneer Theatre Company’s Souvenir
- WHEN: December 6-21, 2024
- WHERE: Meldrum Theatre at the Einar Nielsen Field House
- TICKETS AND INFO: pioneertheatre.org
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